stained glass - new commissions
We will design, make and install any style of stained glass window. From modern designs to period pieces to compliment the age of your home.
Custom Designs: We work closely with you to understand your ideas and preferences, ensuring that the final design is a perfect reflection of your style.
Glass Painting: Our traditional kiln fired glass painting techniques add line, tone, and texture to your glass, creating intricate images and decorative details.
Blue Angel. A new stained glass window designed to complement an Andy Scott sculpture for this stairway landing window. Paisley, Scotland. 1m x 3m.
Some of the glass used was hand blown St.Just Barioles and Hartley Wood streakies.
Cherry Tree Stained Glass Room Divider. This modern design was based on a tree in the clients garden and on the works of Charles Rennie Mackintosh and Frank Lloyd Wright. Scotland.
(Collaboration with architectural firm ATA Studio).
A new stained glass window using elements of The Glasgow Style for a front door in William McNicol Whyte's 1902 Baronial West End tenement, Glasgow.
A new stained glass galleon for Glasgow's West End, in keeping with the areas rich association with Glasgow maritime history. The design and colours used were inspired by the Stephen Adam windows in the local Tennants Bar, Byres Road and by a Robert Burns window for Stephen Adam & Sons window in Kelvinside, Glasgow (1890's).
Saint Martha stained glass window for St Ninians Church, Bannockburn, Scotland.
A set of new windows and reproductions for Culdees Castle Chapel, Perthshire. Scotland. Part of a large scale restoration of the castle, six new windows were made for the chapel. No records or photographs of the original windows existed so elements of the window reflect the remaining leaded windows. The making of the windows were featured on Channel 4 TV "Renovation Nation".
A new kiln fired painted stained glass window to match similar in a hall landing window. Newcastle, England.
Stained Glass Griffin. 1 of 10 heraldic themed stained glass panels for
Vale Garden Houses. Peterborough, England.
This griffin required 4 seperate kiln firings. The trace line (the outline of the image) is the first firing. The second stage is the shading. Next would be the enamel (the colour) and then finally the silver stain (The amber colour). More firings can be made at each stage depending on the detail and/or the amount of colour required.
An arched heraldic styled transom window for the entrance to this North Glasgow home with the family motto. Fused glass peacock feathers were incorporated into the leaded and painted design.
A curved transom stained glass window depicting a grouse set within heather and scottish hills. Glasgow, Scotland.
The Kiss. A Gustav Klimt inspired stained glass window. Fused glass and painted sections were used to help create the design. Glasgow, Scotland.
Glasgow Rose. A Charles Rennie Mackintosh design adapted for a new leaded transom light. Glasgow, Scotland.
Robert The Bruce stained glass window. Part of a series of windows depicting Scottish historical figures. Based on a Bruce statue at Edinburgh Castle. Glasgow, Scotland.
A simplified "Glasgow Style" window with sidelights and transom leadlight. Perth, Scotland.
Wee Spug and Apple Blossom. An 11 panel front door window with a central roundel. Chipping out the old plain glass and concrete like putty for 11 panes was fun! Milnathort, Kinross.
A set of Glasgow Style leaded glass panels for this stylish display cabinet for a fire surround / mantlepiece. Hyndland. Glasgow.
Edwardian styled geometric patterned leaded glass inserts for an entrance door
Atlas. A hall landing stained glass window incorporating an image of the Greek God Atlas based on a painting by John Singer Sargent (1856-1925). The window also includes old world maps, the constellations and symbols of Scorpio Sagittaurus. Pollokshields. Glasgow.
A new Mary Queen of Scots stained glass window for this Glasgow home. Background squares used designs from her embroidery work. (When incarcerated she used her embroidery to communicate with those outside). Linlithgow Palace (her birthplace) in the main design and a Hawthorn tree. She holds the white rose of Scotland. The figure of Mary was from a William Morris/ Edward Burne Jones window in Dundee used as the template.